This month’s featured art celebrates the free expression of love and passion between women while exploring the conflict between our inner darkness and light … Meet Peruvian-Italian artist Paola Rossi.
I am a non-heterosexual, sensitive person that has struggled through depression and TOC during my 20s. Having these characteristics, I have looked for ways to be more emotionally balanced and have found relief in many artforms and things such as meditation. I have created art since I was a child, often linked to surrealism because of my imaginative personality, but not limited to that, since I have also connected to other art styles, like abstract and figurative works. I have oftentimes tried to create artworks as original and authentic as I can, works that emotionally and visually impact the viewer. My creations are about the feelings that impact me the most, and I approach them using diverse mediums, ranging from traditional to contemporary, often mixing them to have more possibilities of expression.
What inspires you most as an artist?
I am inspired by feelings, especially the ones that I have lived more intensely, such as non-heterosexual desire, heartbreak, depression and the will to emotionally heal and become more balanced. Said in a more academic way, my works are related to Freud’s psychological theory on Eros and Thanatos. According to him, all of us have a life and death drive that are indispensable, exist in everything we do and are in constant conflict. Eros is life, vitality, dynamism, the will to survive, the search for pleasure, sex, sexuality, union and the wish to generate deeper, more complex relationships with oneself and others. Conversely, Thanatos, seeks one’s own death and tries to satisfy aggressive impulses directly and indirectly to oneself and others. It manifests in many ways, for example, in anger, denial, unhealthy behaviour, the absence of action or connection with the world, giving up under difficult circumstances, loss of hope and depression. So, I have created artworks on Eros and Thanatos, inspired by my own identity as a non-heterosexual person, someone who has identified as a woman and a man simultaneously (non-binary), that has had a strong Thanatos expressed in depression and TOC and that has found a therapeutic recourse in art.
What medium satisfies you the most?
Nowadays, I don’t have a preferred medium. I use whatever medium I am most drawn to in the moment for the specific project I am working on. Over the years, I have noticed, I tend to have a period where I use a certain medium in an individual and traditional manner, followed by another period of a lot of experimentation, where I mix several mediums in ways I haven’t done before. As if it were a cycle. During my experimental phase, I often take my traditional works and rework them, using my curiosity, play and spontaneity to create something new. In my creative process, I use mind, body and soul. Parts of the process are done from a more rational side, planning things, making maps, lists, etc. I mainly connect directly with my emotions, impulses, spontaneity, playfulness and curiosity. I also use my body, sensations and explore movements and actions with it, training and taking care of it in the process. Some of the mediums I use are painting, drawing, photography, circus, contemporary dance, theatre, lights and shadows, mobile phone apps, computer software and video.
What would you most like to express through your work?
Art as the free expression of the soul and as a means of emotional wellbeing.
What are you currently working on?
I am currently in the creation process of a year-long, experimental project that will result in a video performance that expresses what I have felt during quarantine. The final video will combine the vast experimental work I have done this year on diverse mediums adapted to the house, such as: circus, contemporary dance, theatre, scenography, lights and shadows, painting, drawing (sometimes including writing), photo, sound, video, mobile apps, and computer programs. My conscious intentions with this work is to do something unconventional and experimental that combines my previous knowledge of different arts, especially those that I have been most passionate about whilst growing up, like painting, drawing and circus, with the new knowledge I have been acquiring through this year’s process. It is a way of expanding myself, pushing myself further than I have previously done. It is a creative process that includes mind, body and soul, involves very planned things, but also very spontaneous actions, and it even has an amount of unpredictable to it. This artwork is connected to mental health care, since the creation process has helped me feel better by liberating the emotions. It also involves exploring and registering the therapeutic qualities of art and sharing what I learn through social media and eventually in my thesis. It is my hope that I create strong images which impact visually and emotionally and which others can relate to. I also wish to connect with the public by showing the creation process in my Instagram. The final work will be published later this year through all my social media accounts.
How are you received as a woman who paints naked women?
I have been very lucky, and I am grateful for the positive reception I have been having. When I first started doing nude and erotic lgbtq+ works in university, there was a lot of excitement in several of my peers. I started out doing very explicit and surrealistic images, so they caught a lot of attention. I was applauded for doing something taboo and unconventional in a very traditional society. Some people have told me that they think I am brave for being open about my sexuality and representing it in my works. They support what I do since it is linked to the acceptance of one’s own sexuality in a country that is generally not very open or accepting on these matters. When I started posting my works on social media, whilst still at university, I was invited to radio and tv interviews, as well as group exhibitions in other cities within my country and internationally, to places like the MAREA, which is a Latin-American Museum of erotic art, in Colombia. So, thankfully doing lgbtq+ works, which is something I am very passionate about, has opened doors for me. But above all, I think I am lucky and grateful for having such an accepting family that supports me.
How does your own sexuality influence your work?
My sexuality has been the main influence of many of my works. I have often represented my non-heterosexual desire, fantasies and experiences. It is my relationship with my own sexuality, the acceptance of it and the feelings and experiences that arise from it that oftentimes motivate me to create.
All artwork © Paola Rossi
Check out more of Paola Rossi’s art on Instagram
By Hayley Sherman: “Picture the scene. It’s 1991. I’m thirteen, she’s twenty-six. I’m an iffy-looking, greasy-faced, stalkerish teenager and she’s a respectable, married foreign languages teacher. Let’s face it, it was never going to work.”
Janine Norris on the pain of coming out to a homophobic family and the explosive impact many years later.
Josie Quinn explores the cliched representations of sexuality in disabled characters on the big screen and asks why it’s able-bodied actors that are still playing these roles.